Political Animals Coming to Town September 5 & 8

The Appreciating Diversity Film Series kicks off our new season with the inspiring and timely Political Animals, by Jonah Markowitz and Tracy Wares.

Political Animals 4 women
Carole Migden, Sheila Kuehl, Christine Kehoe and Jackie Goldberg

 

Political Animals celebrates the legendary civil rights victories of the first four openly gay elected California state politicians – all women, and from both sides of the isle: Carole Migden, Sheila Kuehl, Jackie Goldberg, and Christine Kehoe.  It documents the tough struggles they endured and the compromises they made, while celebrating their pioneering success in the fight for LGBT rights.

Fierce and determined, these unforgettable women passed laws in the 1990s that paved the way for other states, such as the first anti-bullying law to protect gay students and the first legal domestic partnership registry. These laws were passed 20 years before the momentous 2015 Supreme Court decision that gave full marriage rights to all LGBT Americans.

Political Animals inspires us by showing how these courageous women, working together, changed history. It’s a great lesson on how laws are made and how important our lawmakers are. As we enter the midterm election season, this screening could not be more timely.

See the film’s website at politicalanimalsdoc.com

Questions? Email Christy@diversityfilmseries.org

SEPTEMBER 5, 2018                               SEPTEMBER 8, 2018

The Ellen Driscoll Playhouse              The New Parkway

325 Highland Ave.                                   474 24th Street

Piedmont 94611                                       Oakland  94612

6:30 Reception                                          3:00 Film followed by discussion

7:00 Film                                                   Food and drink for purchase

8:30 Discussion


 

Celebrate Summer with a Food Truck Dinner and Free Film June 7

Kick off summer by joining the Diversity Film Series for the documentary film Soufra, an inspirational story of women in a Lebanese refugee camp who start a successful catering business. Come early with the family to enjoy dinner at a middle eastern food truck that will be available outside of the venue.

SOUFRAFilm_Manal Hassan and Maha Hajjaj_VegetableShopping (1)
photo by Lisa Madison

A stirring tale of women’s empowerment, Soufra shows how societal change can begin with small steps. Directed and produced by Thomas Morgan with executive producer Susan Sarandon, Soufra follows the unlikely and wildly inspirational story of intrepid social entrepreneur, Miriam Shaar — a refugee who has spent her entire life in the decrepit and dangerous Bouj El Barajneh refugee camp just south of Beirut, Lebanon. The film follows Miriam as she sets out to change her fate by launching a catering company with a diverse team of fellow refugee women. She calls the catering company ‘Soufra’, an Arabic word meaning a long table filled with many good things to eat, or dining table.

mariam
Miriam Shaar    photo by Lisa Madison

As the documentary unfolds, the women begin to share recipes from their homelands, which leads to the creation of original dishes. At one point, Miriam takes her staff to a cooking class to improve their skills in food presentation and delivery. She also hires a marketing manager. The documentary chronicles Soufra’s first contract to supply food to schools, and the establishment of a stand at the souk (market), then the burgeoning business of catering for parties, and, finally, the purchase and equipping of a food truck.

The women find that the dignity that their work lends to them and to their families allows the women to see beyond the despair of the camp, to buy necessities they have not been able to afford, or to send a child back to school. Miriam’s own toughness in the face of these multiple delays and setbacks is remarkable to see, and it soon becomes clear that its importance reaches beyond her immediate circles — she carries the hopes of thousands. This wonderful film acknowledges these issues — and the bleak context of those who despair setting out to sea in tiny boats in an attempt to reach Europe –while maintaining an intimate atmosphere that brings personal stories to the fore. It’s a documentary full of small details that open up broader perspectives, and it serves as a reminder that refugees have the same ambition and desire to improve their own lives and others’ as people lucky enough to come from stable countries

 

“Just don’t watch it when you’re hungry.” Jennie Kermode, EyeforFilm.co.uk

“A stirring tale of empowerment.” New York Times

“The film deftly balances the personalities and culinary creativity with the fundamental matter of day to day political struggle.” Hollywood Reporter

Only ONE screening! 

Thursday, 7, 2018, @ Ellen Driscoll Playhouse / 325 Highland Ave / Piedmont 94611

5 – 6:30 PM: Middle Eastern FOOD TRUCK will be parked outside Ellen Driscoll (see menu, below!)

6:30 – 7:30 PM, SCREENING (NB: EARLIER than usual, to coordinate with the food truck!)  Film has subtitles.

food truck menu
Popular Oakland “Shrimp Falafel” Food Truck!

Great Speakers for 4/26 & 28 Screenings of Birthright: A War Story

See more about the film itself in the blog entry below

Ruth1April 26:  Dr. Ruth Shaber, M.D. is currently director of the Tara Foundation. She served as chief of Obstetrics and Gynecology and director of Women’s Health for Kaiser Permanente of Northern California. Dr. Shaber is also on the Medical Advisory Committee for Planned Parenthood Federation of America.

 

Carole JoffeApril 28: Carole Joffe, PhD, who appears in the film, teaches in the Department of Obstetrics, Gynecology and Reproductive Sciences at UCSF. She is also a professor emerita of sociology at UC Davis. She is the author of many articles and books on the status of abortion and contraception in America, and has received lifetime achievement awards from the National Abortion Federation and the Society for Family Planning.

Is Our Reproductive Health Reality becoming a Handmaid’s Tale?

Birthright_social_sharing

Birthright: A War Story examines what has happened to women’s reproductive rights in America since the historic Roe v. Wade decision in 1973 legalized abortion. Director Civia Tamarkin traces the strategy the anti-abortion movement has used to make reproductive choice unavailable, even if it is still legal: For over 40 years it has played the long game, working state by state to pass laws that chip away at women’s reproductive healthcare options. The war story that “Birthright” traces is a war of attrition.

Tamarkin presents haunting, personal stories of women trapped in the confines of these new laws, interwoven with expert voices of activists and historians. We learn how women are being jailed, physically violated and even put at risk of dying as a radical movement tightens its grip across America. One couple, Robb and Danielle Deaver, share the horrors they endured as a direct result of Nebraska’s law banning abortions after 20 weeks, predicated on questionable science and similar to laws in 25 other states.

Robb-and-Danielle-Deaver

In California, where access to reproductive care is relatively secure, many may not realize how successful the anti-abortion forces have been in rewriting state law, and using courts and religious doctrine, to govern women’s reproductive rights. Birthright: A War Story also highlights that for women with financial means, abortion is likely to remain accessible and safe. But for low-income women of all ethnicities, especially those on Medicaid and in a growing number of states, access to abortion and contraception has already become scarce and dangerous; they are caught up in a draconian web of laws and corporate policies surrounding reproductive medical care of all kinds.

These developments are now a public health crisis which is increasing maternal mortality, turning pregnant women into criminals, and challenging the constitutional protections of every woman in America. This is the real-life “Handmaid’s Tale”.

“…a compelling documentary that is a must-see.”
Film Pulse

“Birthright: A War Story packs a powerful message: that reproduction has become perilous for women in America.”
The New York Times

TWO FREE screenings of Birthright: A War Story

Thursday, April 26, 2018 // Ellen Driscoll Playhouse, 325 Highland Ave, Piedmont 

6:30 Reception // 7:00 Film // 8:45 Discussion with Dr. Ruth Shaber, M.D., currently director of the Tara Foundation. She served as chief of Obstetrics and Gynecology and director of Women’s Health for Kaiser Permanente of Northern California. Dr. Shaber is also on the Medical Advisory Committee for Planned Parenthood Federation of America.

Saturday, April 28, 2018 // The New Parkway Theater, 474 24th St., Oakland (Food for purchase)

 3:00 Film and Discussion with Carole Joffe, PhD, who appears in the film, teaches in the Department of Obstetrics, Gynecology and Reproductive Sciences at UCSF. She is also a professor emerita of sociology at UC Davis. She is the author of many articles and books on the status of abortion and contraception in America, and has received lifetime achievement awards from the National Abortion Federation and the Society for Family Planning. 

 

#Me Too for Low Wage Workers: Rape on the Night Shift & Discussion in March

Every night, as most of us head home, janitors across America, many of them women, begin their night shift. They are often alone or isolated in empty buildings — and vulnerable to sexual violence on the job.

feet & mop

With women around the country coming forward with accounts of sexual assault and misconduct by men in politics, media and entertainment, Rape on the Night Shift explores sexual abuse in the janitorial industry.   Immigrant women working as night janitors are particularly vulnerable to sexual violence, and  many are afraid to come forward about abuse out of fear they’ll lose their jobs or be deported.This is not a rumorDespite those risks, women went on camera to break their silence, “I felt trapped in a world where I could not speak,” Leticia Zuniga, a night shift janitor, told the investigative team about her alleged assault by her manager. “More than anything, I thought about my kids. That’s why I endured so many awful things.”

From San Francisco’s Ferry Building, to the malls of Minnesota, to big box stores across the country, the investigative team — with correspondent Lowell Bergman, producers Andrés Cediel and Daffodil Altan, and reporters Bernice Yeung and Sasha Khokha — found violations across the janitorial industry involving companies large and small. With firsthand accounts from female janitorial workers like Zuniga who say they have been sexually abused by their coworkers and supervisors, the collaborative investigation explores the steep price many women in the janitorial industry pay to keep their jobs and provide for their families, and examines why such cases are often difficult to prosecute.

“Nobody listened to me,” said janitor Georgina Hernandez. “These are women with money, women in Congress, and they get help. They get the attention. They are women who are worth something. But I am a woman who is worth something, too.”

The film was made in 2015 and updated in 2018 to show how the government, businesses and law enforcement are responding to the problem — and how they reacted to the Rape on the Night Shift investigation itself: “I was sad. I was angered. And I wanted to do what we could do, from the state, to be able to protect these women,” says California Congresswoman Lorena Gonzalez, who introduced a bill requiring sexual harassment training for all janitors in the state, directly inspired by the investigation. Governor Jerry Brown signed the bill into law in 2016.  The updated version also shows how many of the women changed after reporting the sexual abuse they suffered.

As the #MeToo conversation spreads beyond the worlds of Hollywood, media and politics, Rape on the Night Shift is a powerful look at the impact of sexual abuse on some of the most vulnerable women in the workforce.

Two FREE SCREENINGS:

  • Wednesday, March 7, 2018 @ Ellen Driscoll Theater, Piedmont 
    • 6:30 PM Reception
    • 7 – 8 PM Screening
    • 8 – 9 PM Andres Cediel, documentary filmmaker and a producer of the film who is also a Professor of Visual Journalism at UC Berkeley, and Sasha Khoha, a reporter on the film as well as a Radio Host of California Report at KQED will hold a panel discussion and answer questions about the film.
  • Saturday, March 10, 2018 @ The New Parkway Theater, Oakland
    • 3 – 4 PM Screening
    • 4-5 PM Post-film discussion with Producer Andres Cediel, documentary filmmaker and Professor of Visual Journalism at UC Berkeley.

 

January 11 & 13: Two Great Films on Economic Inequality

In January, the Appreciating Diversity Film Series will present two important films that focus on the ways American institutions and policies have contributed to racial segregation and discrimination in this country.

       The House We Live In exposes how government policies, particularly around housing, have adversely affected minorities. After World War II, with the support of the GI Bill, housing boomed, and segregated suburbs like Levittown popped up all over the country. Real estate practices and federal government regulations (including “redlining”) directed government-guaranteed loans to white homeowners and kept non-whites out.

redlining graphic

This discriminatory access to housing and to home loans led not only to greater segregation, but also to a decline in housing investment in minority neighborhoods. The result of these policies was to exclude minorities from the net worth generated by rising housing values in suburban neighborhoods. Today the net worth of the average African-American family is about 1/8 that of the average white family, largely as the result of these policies.

As Supreme Court Justice Harry Blackmun wrote, “To get beyond racism we must first take account of race. There is no other way.” As The House We Live In shows us, until we address the legacy of past discrimination and confront the historical meanings of race, the dream of equality will remain out of reach.

       The Arc of Justice, subtitled “The Rise, Fall and Rebirth of a Beloved Community,” a film by Helen S. Cohen and Mark Lipman, follows the remarkable journey of New Communities, Inc. The title is based on a saying of Martin Luther King: “The arc of the moral universe is long, but it bends toward justice.”

The film follows civil rights activists from the 1960s who purchased land in Georgia in order to create a new community and facilitate economic development and greater power for African Americans. The film follows their successes and their struggles to maintain the community in the face of crippling drought and the Department of Agriculture’s racist farm loan policies. These policies were challenged in a lawsuit which ultimately resulted in the largest civil rights settlement in US History.

NCI-Store       The efforts of this Georgia community were an inspiration for the creation of community land trusts throughout the country, and even the world. As Congressman John Lewis recognized, “It was a courageous and brilliant idea to bring people together in a new way of thinking. Cooperative land ownership—not just an individual, but a community.”

       The Appreciating Diversity Film Series will host two FREE screenings of BOTH The House We Live In and Arc of Justice, followed by a panel discussions that brings these issues home today:

In Piedmont @ 7 pm, Thursday, Jan. 11

Ellen Driscoll Theater / 325 Highland Ave (at Oakland Ave)/Piedmont

Doors open, light refreshments @ 6:30 pm,

Film at 7:00 pm, followed by panel discussion

In Oakland @ 3 pm, Saturday, Jan. 13

The New Parkway Theater / 474 24th Street (btw Telegraph & Broadway) / Oakland

Film at 3:00, followed by panel discussion